On Strategies for Making Brutalism Popular (Chatham Waterfront Bus Station, Kent, UK)
Orange Art Squeezed: The Overground’s Stalled Art Programme (London, UK)
This Stride Into Our Solitude (Humber Bridge, East Riding of Yorkshire / North Lincolnshire, UK)
The Longest Wait (Central Park Metrolink station (Rochdale line), Manchester, UK)
Light Cones (Stratford Bus Station, London, UK)
East Meets West Under the Streets of London (Mile End and Gants Hill Underground stations, London, UK)
To Enterprise a Railroad (Railway viaducts, UK)
The Lime-green Pain Rays of Münchner Freiheit Tram Station (Münchner Freiheit tram/bus station, Munich, Germany)
Electric Light Omnibus (Bus garage, Montague Place, Brighton, UK)
Neapolitan Delight (Naples Marine Terminal)
Alternative Service Provision: Tile Advertisements on the Paris Métro
Seasonal Special: The Great Pretender (Ivor the Engine, ITV and BBC, 1959 – c.1977)
Eduardo Paolozzi: Underground Artist
Charles Dickens: Transport Ghostwriter
Red Hot (Virgin Trains East Coast branding 2015 – )
The Terminal Terminal (Jersey Airport 1937 terminal)
Postmaster (PostAuto station, Chur, Switzerland)
Lens Lens (Royal Albert Bridge, Plymouth-Saltash, Devon/Cornwall, UK)
End of the Bus Lane (Vauxhall Bus Stations, Existing and Proposed, London, UK)
Taking Wing (Elmdon Air Terminal, Birmingham, UK)
Parisine: Paris = Johnston: London (Parisine typeface by Jean Francois Porchez)
The Train That Never Was: Orient Express, A Transport Icon
Look, Listen, Smell (Deutsche Bahn corporate identity 2004 – )
Into Battle (Battle station, East Sussex, UK)
So Hard (The Hard Interchange, Portsmouth, UK)
