Eric Ravilious: Transport Magician
The Underground World of Norman Foster (Metro Bilbao, Bilbao, Spain)
The Unfortunate Intersection of Rain, Unsuitable Shoes, and Cutting Edge Transport Architecture (Sondica Airport and Campo Volantín bridge, Bilbao, Spain)
Beautiful Robots, Dancing Alone (Millau Viaduct, France)
Flying the Flag (beautiful, and not-so-beautiful, British bus stop flags)
Obscure Objects of Transport Beauty: LSWR Boundary Marker
Parasol Paraíso (Repsol filling stations, Spain and Portugal)
Fallen Angels: Concorde, a Transport Icon
Box of Delight (Westminster Underground station, London, UK)
Heart of Glass (Amsterdam Centraal Busstation, the Netherlands)
Shards of Fearsome Light (Olaias Metro station, Lisbon, Portugal)
Primp My Lift (Elevador de Santa Justa, Lisbon, Portugal)
All Angles and Lava (Intercambiador de Guaguas, Arrecife, Lanzarote, Spain)
Travels with my Father (Johnston typeface, Edward Johnston)
The Fe-Line (Nishi station, Japan)
Big Blue (Tees Transporter Bridge, Middlesbrough, UK)
The Rolling Art Galleries of Network SouthEast (Edward Pond murals and NSE route badges)
The Upside Down Airport (London Stansted Airport, UK)
Shaft! 6 – Shaft Goes Stylish (Jubilee Line Ventilation Shafts, London, UK)
Four Chimneys Good, Two Chimneys… (Lots Road Power Station, London, UK)
Power to the People (Tramway Generating Station, Bristol, UK)
Reach for the Skies (55 Broadway, London, UK)
The Big Box (Birmingham New Street signal box, UK)
A Tale of Two Bus Stations (Slough, UK)
What’s the Point?
Mile High Marvel (Union Station, Denver (Colorado), USA)
Alphonse Mucha: Transport Artist for Hire
The Ads Have It (British train and bus TV adverts)
Type in the Fast Lane (FHWA Series typeface, USA)
Three Shades of Grey (Railfreight 1987 corporate identity, Roundel Design Group, UK)
Baby Brutalism (Concrete bus shelters, Lewis, UK)
The Wisdom of Crowds (The Luchtsingel, Rotterdam, The Netherlands)
They Used to Shout our Name, Now they Whisper it (Railtrack’s Corporate Graphic Design and Annual Reports, UK, part 2)
Papering Over the Cracks (Railtrack’s Corporate Graphic Design and Annual Reports, UK)
A Station of Two Halves (Southgate Underground and Bus Stations, London, UK)
Come in to my Webb (Webb Bridge, Melbourne, Australia)
Streets Ahead, Inside (Nils Ericson Terminal, Gothenburg, Sweden)
The Bridge (Øresund Link, Denmark/Sweden)
Claude Monet: Railway Enthusiast
Space Station (El Intercambiador de Transportes de La Laguna, San Cristobal de La Laguna, Spain)
White-painted Wonders (Streamline Moderne bus shelters, England)
The Horn Section (or, The Music of Trains)
Lost Beauty #9: Hardwick’s Hall (the old Euston station, London, UK)
Tower Power (Forton Services, Lancashire, UK)
The Steel Forest (Estação do Oriente, Lisbon, Portugal)
In the Hollow Ground, Glass Walls of Blue (North Greenwich London Underground station, London, UK)
On Line Typeface (Rail Alphabet typeface, Margaret Calvert/Jock Kinneir, UK)
Tile Style (São Bento railway station, Porto, Portugal)
Obscure Objects of Transport Beauty: Railway Telegraph Insulators
Greater Than the Sum of Great Parts (St Pancras International, London, UK)
21st Century Waterwheel (The Falkirk Wheel, Falkirkshire, UK)
The Extraordinary Second Life of the Anderton Boat Lift (Cheshire, UK)
SOS Mr Tracy, the Transport World is Falling (Transport from the World of Thunderbirds)
The Decline and Fall of the Rail Blue Empire (British Railways’ corporate identity 1964-1986, part 2)
The Full XP (British Railways’ Corporate Identity 1964-1986, part 1)
The Gleaming Spire (Silica, Weston-super-Mare, Somerset, UK)
Modernism in Miniature (Durrington-on-Sea railway station, UK)
Snap! (Look-a-like Railway Stations)
Lions and Wheels (British Railways’ lion emblems, 1949-1964)
The Great Hall of Aluminum Wonders (Newark Penn Station, New Jersey, USA)
Let Slip the Dogs, part 2 (Surviving Greyhound Terminals of W S Arrasmith, USA)
