To Enterprise a Railroad (Railway viaducts, UK)
The Lime-green Pain Rays of Münchner Freiheit Tram Station (Münchner Freiheit tram/bus station, Munich, Germany)
Electric Light Omnibus (Bus garage, Montague Place, Brighton, UK)
Neapolitan Delight (Naples Marine Terminal)
Alternative Service Provision: Tile Advertisements on the Paris Métro
Seasonal Special: The Great Pretender (Ivor the Engine, ITV and BBC, 1959 – c.1977)
Eduardo Paolozzi: Underground Artist
Charles Dickens: Transport Ghostwriter
Red Hot (Virgin Trains East Coast branding 2015 – )
The Terminal Terminal (Jersey Airport 1937 terminal)
Postmaster (PostAuto station, Chur, Switzerland)
Lens Lens (Royal Albert Bridge, Plymouth-Saltash, Devon/Cornwall, UK)
End of the Bus Lane (Vauxhall Bus Stations, Existing and Proposed, London, UK)
Taking Wing (Elmdon Air Terminal, Birmingham, UK)
Parisine: Paris = Johnston: London (Parisine typeface by Jean Francois Porchez)
The Train That Never Was: Orient Express, A Transport Icon
Look, Listen, Smell (Deutsche Bahn corporate identity 2004 – )
Into Battle (Battle station, East Sussex, UK)
So Hard (The Hard Interchange, Portsmouth, UK)
Swipesy Cakewalk (Millennium “Wobbly Bridge” Footbridge, London, UK)
Corporatisation, and its Undoing, Part 2 (Visual Identities of Britain’s ‘Big Five’ Transport Operators on the railway, 1997 – )
Corporatisation, and its Undoing, Part 1 (Visual Identities of Britain’s ‘Big Five’ Transport Operators on the railway, 1997 – )
And Now, From Norwich (Norwich Bus Station, Norfolk, UK)
Crimson Tide (National Express West Midlands visual identity 2015- )
Britain in the World? No thanks (British Airways’ 1997 corporate identity by Newell and Sorrell)
